BASSHAWK/GUIDE REPORTS/LAKE TEXOMA, SATURDAY, OCTOBER 10, 2026
SATURDAY, OCTOBER 10, 2026 · LAKE TEXOMA

Fall shad chase fires the channel swings, topwater early and ledge dragging midday.

WATER 72°FAIR 81°FWIND 6 MPH SSEASON FALLPOOL -2 FT

Water's sitting at a comfortable 72 degrees in the heart of fall when largemouth are hunting hard along main lake structure. The pool is holding steady and the water stays stained, which means the fish are visible but not skittish. The pressure is rising after a dip, so expect the bite to steadily improve through the day. Without cloud cover, the bright sun will push fish off the flats by mid-morning, but that same clear light will fire the early topwater bite and keep the ledges loaded all day. Bass are chasing shad down the channels and stacked on deep structure waiting for baitfish to funnel past. This time of year they stage tight to the migration routes between shallow and deep water, and the channel swings are magnets.

The day's game plan

EARLY MORNING · 7:28 AM to 9:00 AM
Sandy points and shallow flats adjacent to channel swings, 2 to 5 feet deep
Topwater pencil popper or small stick bait in black or dark colors, 2 to 3 inches, worked with sharp twitches and 2-second pauses. Cover the transitions where shallows drop away.
Bass feed shallow and aggressive at first light to ambush shad moving off the flats. The dark lure silhouette cuts through the low-angle sun and triggers reaction strikes. Once the sun climbs, they pull deeper, so work fast and cover water efficiently early.
MORNING · 9:00 AM to 11:30 AM
Main lake channel swings and inner bends, 12 to 20 feet deep
Swim baits or shad-profile crankbaits in silver or natural gray, 4 to 5 inches, fished with a steady retrieve along the break where the channel banks drop sharply. Tick the bottom occasionally.
As light intensifies, bass slide off the shallows and position on the deeper channel structure where they can hunt baitfish schooling in transition zones. The stained water keeps them from spooking at depth, and the active fall bite means they chase baits aggressively.
MIDDAY · 11:30 AM to 2:30 PM
Humps and ledges in 18 to 30 feet, especially where they anchor to river channels
Dragging a 3/8 to 1/2 ounce blade-style jig tipped with a dark crawfish or shad trailer (black, junebug, or watermelon), bounced and dragged across the bottom. Work it methodically and pause over structure contact.
The sun is high and intense. Bass are committed to depth and won't chase. They settle on stable high-ground structure where they can see approaching prey without exposing themselves. Vibration and slow bottom contact trigger bites. The stained water means they rely more on feel and vibration than sight, so the blade and the heavy contact matter.
LATE AFTERNOON · 2:30 PM to 4:30 PM
Channel edges transitioning from deep (25-30 ft) to shallower outside bends (12-18 ft), especially any with rocky ledge or hard bottom
Medium crankbait with a tight wobble, 4 to 5 inches, fished with a steady retrieve at a depth that keeps you in contact with the upper ledge. Vary your retrieve speed between slow and moderate.
Water temps and sun angle start to shift the bite back toward activity. Bass that held tight mid-day begin scanning shallower zones again. The channel bends and ledge transitions concentrate them as they reposition toward shallow again. A crankbait covers depth zones fast and keeps them biting steadily.
EVENING · 4:30 PM to 6:15 PM
Shallow flats (4 to 8 feet) at the mouths of creek arms and behind secondary points, near channel access
Small jerkbait or soft-stick plastic on a light Texas rig (3/16 to 1/4 ounce), fished with twitches and pauses. Work the depth column and don't rush the retrieve.
Shadows lengthen and bass become less wary. Shad begin moving shallow to feed again, and bass follow. The flats near creek access funnel baitfish, and the reduced sun angle lets bass hunt higher in the water column without the glare stress they had at noon. This is your second-best window of the day.
DUSK · 6:15 PM to 6:59 PM
Sandy or gravel points in 3 to 8 feet, bluffs with hard banks, dock edges
Topwater walk-the-dog plug or small pencil popper in black or dark patterns, worked with steady rhythm and sharp turns. Keep it moving.
Low light returns and bass are fired up to eat before dark. Shad are moving and stacking. Topwater vibration and silhouette trigger competitive strikes. This is often as good as early morning. Push all edges and transitions hard because you have maybe 30 to 40 minutes before the window closes.
NIGHT · 6:59 PM onward
Deep channel structure (20 to 35 feet), especially ledges with tight cover or current breaks
Heavy blade jigs (1/2 to 3/4 ounce) or spinnerbaits with large Colorado blades fished slow and methodical. Work tight to any stumps, rocks, or timber. Cover must be present.
In darkness, bass rely entirely on vibration and lateral line. They won't chase, but they will strike a heavy bait working tight cover that they can feel displacing water. Blade vibration and sound are the only clues. Fish slower and shorter casts. If you have a moon (waning crescent late in cycle), bite will be softer than full moon, so pick dense structure and be patient.

Where to fish

What to throw

How to work it

Pro tips

If conditions change

If clouds roll in and kill the light, the shallow topwater window extends all day, so keep a popper in your hand longer. Work the flats and points that you'd normally skip by noon. If a breeze picks up from the south, shallow banks and lee points become more productive; the wind breaks up the surface and oxygenates shallows, pushing bait shallow and holding bass in the shallower structure longer. If the water clears and visibility pushes beyond 6 feet, downsize everything by one step, lengthen your leader if you're using braid, and fish deeper edges first. If the water muddies from rain or run-off, upsize your baits 25 percent and pivot to maximum-vibration lures (large blade jigs, spinnerbaits with big Colorado blades, lipless cranks). Work tight to cover and keep your presentations slower so bass can track by feel.

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